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“Seeing is a neglected enterprise,” Mr. Leiter often said
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“I am not immersed in self-admiration,” he said. “When I am listening to Vivaldi or Japanese music or making spaghetti at 3 in the morning and realize that I don’t have the proper sauce for it, fame is of no use.”
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“He broke all the rules when it came to composing a photograph,” said Mr. Leiter’s assistant, Margit Erb, who confirmed his death, at his home. “He put things into the abstract, he paid attention to color, he threw foregrounds out of focus, which made the photographs feel very voyeuristic. He applied a painterly mentality that the photography world had not seen.”
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His art was enough.
Marcus
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Saul Leiter
Taxi
1956
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“”In order to build a career and to be successful, one has to be determined,” Mr. Leiter said in an interview for a monograph published in Germany in 2008. “One has to be ambitious. I much prefer to drink coffee, listen to music and to paint when I feel like it.” …
Unplanned and unstaged, Mr. Leiter’s photographs are slices fleetingly glimpsed by a walker in the city. People are often in soft focus, shown only in part or absent altogether, though their presence is keenly implied. Sensitive to the city’s found geometry, he shot by design around the edges of things: vistas are often seen through rain, snow or misted windows.
“A window covered with raindrops interests me more than a photograph of a famous person,” Mr. Leiter says in [the film] “In No Great Hurry.”"
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Read the obituary of this wonderful artist at “Saul Leiter, Photographer Who Captured New York’s Palette, Dies at 89″ on the New York Times website, November 27, 2013
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Saul Leiter
Foot on El
1954
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More images
Exhibition: ‘Saul Leiter’ at Kunst Haus Wien, Vienna, January – May 2013
Exhibition: ‘Saul Leiter Retrospective’ at The House of Photography at Deichtorhallen Hamburg, February – April 2012
Exhibition: ‘Saul Leiter: New York Reflections’ at the Jewish Historical Museum, Amsterdam, October 2011 – March 2012
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Filed under: American, american photographers, black and white photography, book, colour photography, digital photography, documentary photography, existence, intimacy, landscape, memory, New York, painting, photographic series, photography, psychological, reality, space, surrealism, time Tagged: abstract colour photography, Abstract Expressionism, abstraction, American Abstract Expressionism, American art, american artist, American colour photography, art photography, colour photography, composing a photograph, Leiter a walker in the city, New York colour photography, New York School of photography, Saul Leiter, Saul Leiter Foot on El, Saul Leiter Taxi, surrealism, The Family of Man, Vale Saul Leiter
